Relaunched under St. Louis Music, the company behind Alvarez

Recording King

Recording King is back under St. Louis Music, the St. Louis company behind Alvarez and Alvarez-Yairi, and the first guitars of that new chapter are the 2026 Standard Series you can reserve below. We carried Recording King through the Music Link years, we sat down with St. Louis Music's Chris Meikle for our podcast the month the deal was announced, and we have followed the relaunch closely ever since.

This page gathers every Recording King instrument we have in stock or on order. Below the grid you will find the brand's history from the Montgomery Ward catalogs to today, what changed in 2025, and how to choose between the new guitars.

  • Founded 1929
  • St. Louis Music since August 2025
  • 2026 Standard Series from $749.99
  • 23-Point Inspection on every instrument

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18 products

Recording King BM70 Bluesmaster, front view, black thermo-cured Sitka spruce top, dark wood sides, patterned pickguard.
Recording King BM60 Bluesmaster Marmalade Burst 00: front view in marmalade burst finish with dark patterned pickguard.
Recording King BM60 Bluesmaster 00: front view in sepia burst finish.
Recording King 00070H 000 12-Fret, front view, natural solid Sitka spruce top and dark sides.
Recording King 00060 000 12-Fret: front view with a light thermo-cured spruce top and dark wood back and sides.
Recording King OM70H Orchestra Model, full-body front view, Vintage Burst finish.
Recording King OM70H, front view, featuring a thermo-cured Sitka spruce top and dark East Indian rosewood.
Recording King OM60 Orchestra Model, full front view, natural finish.
Recording King D70H Dreadnought: front view with a thermo-cured Sitka spruce top and dark rosewood back and sides.
Recording King D60 Vintage Burst: front view in vintage burst finish.
Recording King D60, front view showing the thermo-cured light-colored top, dark mahogany back/sides, and tortoiseshell guard.
Recording King BM70 Bluesmaster 00, front view with a natural spruce top and dark wood back and sides.
Recording King BM60 Bluesmaster 00: front view in Vintage Burst finish with striped pickguard.
Recording King 00066 000 12-Fret: front view in dark brown all-mahogany finish.
Recording King OM60 Vintage Burst Orchestra Model: front view in a vintage sunburst finish.
Recording King D70H Vintage Burst Dreadnought: front view in vintage sunburst finish.
Recording King BM70 Bluesmaster 00, front view with light spruce top, dark sides, and tortoiseshell pickguard.
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The Guardian CG-044K-J Recording King Vintage Hardshell Case for resonator banjo is open, showing emerald green plush lining. It features gold-colored clasps, a sturdy handle, and the Recording King logo on the front.

Recording King, from the Montgomery Ward catalog to St. Louis Music

Recording King began in 1929 as a house brand for Montgomery Ward, the Chicago mail-order giant, and the first instruments to wear the name were banjos built by Gibson. Flat-top guitars followed in the 1930 catalog, and through the decade Gibson built the top of the line while Kay, Regal and Gretsch supplied the less expensive models. Cowboy singer Ray Whitley and country songwriter Carson Robison both endorsed Recording King guitars, which is why the brand still carries a prewar, radio-era feel. The line ended in the early 1940s, and the name sat unused for more than sixty years.

The Music Link, a distributor in Hayward, California, revived Recording King in 2007 and brought in Greg Rich to design the banjos. Under Music Link the brand earned a reputation for spec-heavy instruments at low prices, and the Dirty 30's guitars, the RK-R20 Songster banjo, the Madison banjos and the Maxwell resonators all sold well here. The spec sheets were strong, but the finishes ran thick, the tops ran heavy and the setups were inconsistent, and we said so.

What changed in 2025

The Music Link closed in 2025 under the weight of tariffs and financial trouble, and for a few months it looked like Recording King might go with it. On August 1, 2025, St. Louis Music announced it had taken exclusive worldwide distribution rights for Recording King and The Loar, including sales, marketing and product development. Chris Meikle, St. Louis Music's executive vice president and chief operating officer, called them two of the most respected brands in traditional and vintage-inspired instruments.

That mattered to us because of what Chris had already done with Alvarez. Over the past decade he rebuilt that brand's finishes, setups and quality control while keeping the prices where they were, and Alvarez-Yairi went from a value line to a guitar we recommend without hesitation. We sat down with Chris for our podcast in August 2025 to talk through the history of St. Louis Music and Alvarez, and the conversation about Recording King's future was covered by Mandolin Cafe that September. Chris inspected the Recording King inventory already in the pipeline and would not ship what did not meet his standard, which is why the first new instruments did not appear until the fall of 2026. Our blog post from the week of the announcement has the full story.

The 2026 Standard Series

The Standard Series is the first full line of guitars built under the new ownership, and it is the line you can reserve above. Nine models cover a dreadnought (D60 and D70H), an orchestra model (OM60 and OM70H), three 12-fret 000s (00060, 00066 and 00070H) and the short-scale Bluesmaster 00 (BM60 and BM70). A 60 has solid African mahogany back and sides, a 70 has solid East Indian rosewood, and an H adds herringbone trim with squares-and-diamonds inlays. Every top is thermo-cured solid Sitka spruce except the all-mahogany 00066, and every guitar has a bone nut and saddle, a 1 3/4 inch nut, a dovetail neck joint, a low gloss finish and a gig bag, for $749.99 to $999.99. The Standard Series page compares them model by model, and the Recording King guitars page covers the resonators and older models as well.

Banjos and resonators

Banjos are where the Recording King name started, and the RK-R20 Songster, RK-R35 Madison, Dirty 30's and Elite models are still in the catalog under St. Louis Music, along with the Carl Jackson Lonesome Dove signature banjo. Recording King's own site says the company is working to bring back many of its past models. What we have on hand lives on the Recording King banjos page.

Buying a Recording King from The Acoustic Shoppe

Every Recording King instrument we sell ships after our 23-Point Professional Inspection, and the manufacturer's warranty now runs through St. Louis Music. Instruments at $1,000 and up, which includes the Madison and Lonesome Dove banjos, are covered by our Dread-Not Guarantee: a full year to trade one in for up to 90% of the pre-tax purchase price in credit, less round-trip shipping, plus a 30-day in-home trial. The Standard Series guitars sit under $1,000, so they fall under our 14-day evaluation period instead. Pre-order listings take a 25% deposit toward the next instrument we receive, and if you have questions about any of it, call us at 417-720-1223.

Why buy from The Acoustic Shoppe

  • A twelve-time NAMM Top 100 Dealer (2015–2026)
  • The #1 worldwide Eastman acoustic guitar dealer
  • Every instrument ships after our 23-Point Professional Inspection

The Recording King story

OFFICIAL: Alvarez SAVES Recording King | Breaking Acoustic News

Frequently Asked Questions

Who owns Recording King now?
St. Louis Music, the company behind Alvarez and Alvarez-Yairi, has held exclusive worldwide distribution rights for Recording King and The Loar since August 1, 2025, including sales, marketing and product development. Chris Meikle, its executive vice president and chief operating officer, leads the brand.
Is Recording King going out of business?
No. The Music Link, the company that had run Recording King since 2007, closed in 2025, but St. Louis Music took over the brand that August. The first new instruments under St. Louis Music arrived in the fall of 2026, starting with the Dirty 30's parlor guitars and the 2026 Standard Series.
Are the new Recording King guitars better than the old ones?
The older Music Link guitars had strong spec sheets but thick finishes, heavy tops and inconsistent setups. Chris Meikle refused to ship the old inventory after the takeover, and the 2026 Standard Series was built new with thermo-cured solid tops, bone nuts and saddles, dovetail neck joints and low gloss finishes. We check every one with our 23-Point Professional Inspection before it ships, so you are not taking the spec sheet on faith.
What is the difference between a Recording King 60 and 70 model?
In the 2026 Standard Series, a 60 has solid African mahogany back and sides with plain binding and mother-of-pearl dot inlays, and a 70 has solid East Indian rosewood. The 70 models carry an H for the herringbone purfling and squares-and-diamonds inlays they add. Mahogany keeps the sound focused and tight, rosewood adds bass and sustain, and the rosewood guitar in each pair costs $200 more.
Do Recording King instruments come with the Dread-Not Guarantee?
Instruments at $1,000 and up do, which includes the Madison and Lonesome Dove banjos: a full year to trade it in for up to 90% of the pre-tax purchase price in credit, less round-trip shipping, plus a 30-day in-home trial. The 2026 Standard Series guitars are priced under $1,000, so they get our 14-day evaluation period. Every instrument ships after our 23-Point Professional Inspection either way.
Where can I hear the interview with Chris Meikle?
Our conversation with Chris Meikle about St. Louis Music, Alvarez and Alvarez-Yairi is on our podcast, The Acoustic Shoppe Knows People, and our video on the Recording King takeover is on this page. The IBMA conversation about the new Recording King guitars is on our Recording King guitars page.