Every guitar in the 200 Series is built on Taylor's C-Class Bracing, the traditional internal bracing pattern the company relied on before V-Class existed. It's worth being precise about what that means: V-Class, the patented bracing geometry that redirects a top's vibration down two angled beams for longer sustain, more volume without added string tension, and true intonation up the neck, doesn't appear until the 300 Series. The 200 Series doesn't inherit those specific gains, and nothing in this lineup is built to compete with a 300-and-up Taylor on that basis. What C-Class Bracing does deliver, paired with the same fit-and-finish standards Taylor applies across its entire catalog, is a genuinely well-built, well-intonated guitar at the most accessible price point in the line. Every model here also carries Expression System 2, Taylor's three-sensor pickup system, standard rather than as an upsell — the same electronics platform used across most of the catalog, not a stripped-down substitute reserved for entry-level instruments.
The four models split cleanly by body shape, tonewood, and price. The 214ce ($999) and 214ce Plus ($1,399) both use Taylor's Grand Auditorium body, a mid-size, balanced shape that handles strumming and fingerstyle equally well, with a solid torrefied spruce top over the wood that actually separates the two: layered walnut back and sides on the 214ce, layered Indian rosewood on the Plus. The 217e Plus ($1,399) keeps that same torrefied-spruce-over-Indian-rosewood pairing but moves to the deeper, round-shouldered Grand Pacific body in a sunburst finish, and ships without a cutaway. The 224ce-K DLX ($1,999) sits at the top of the series with an all-Hawaiian-koa Grand Auditorium — koa on the top as well as the back and sides — plus Taylor's DLX appointment package, a more decorated rosette and binding treatment than the rest of the line carries.
The clearest illustration of what the $400 gap actually buys is the 214ce set next to the 214ce Plus. Both share the identical Grand Auditorium body, torrefied spruce top, and C-Class Bracing, so the entire difference in the two guitars' voice comes down to the wood behind the top. Walnut, the 214ce's back and sides, tends to sit tonally between mahogany and rosewood — a bright, focused fundamental with quicker note decay and less overtone sprawl, which suits a player who wants clarity and separation in a strumming mix. Indian rosewood, the Plus's upgrade, opens that voice up: more complex overtones stacked under the fundamental, a deeper low end, and noticeably longer sustain, the kind of harmonic complexity fingerstyle players tend to chase. Neither is more correct than the other — a player prioritizing rhythm clarity in a full band mix will likely prefer the walnut 214ce, while a solo player building arrangements around sustain and overtone shimmer will hear the extra $400 pay for itself in the rosewood Plus.
Browse the full Taylor lineup in our Taylor Guitars collection, or go straight to a specific 200 Series model: the 214ce, the 214ce Plus, the 217e Plus, and the 224ce-K DLX.
The Acoustic Shoppe is an Authorized Taylor Premier Dealer and Gold Label Advantage Dealer. Every instrument ships after a full 23-point professional inspection by our in-house repair tech. As a nine-time consecutive NAMM Top 100 Dealer, we handle warranty concerns directly on your behalf.