Taylor Gold Label Series Guide: 5 Models Compared

Taylor Gold Label Series Guide: 5 Models Compared

The Acoustic Shoppe The Acoustic Shoppe
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Taylor's Gold Label series takes the tone-first thinking behind the brand's flagship instruments and builds it into five distinct guitars, each voiced around a specific tonewood pairing rather than a single formula. 


Every model in the Taylor Gold Label series shares a solid Sitka spruce top and Taylor's fanned V-Class bracing with a Tonal Rout, but the back and sides split the line into two tonal families: three models built on neo-tropical mahogany for a drier, punchier voice, and two built on Indian rosewood for a wider, more shimmering overtone spread. Two of the five carry an artist's name — Trey Hensley and Ben Harper both worked directly with Taylor on their signature builds. This guide walks through what separates all five, what they share, and which one fits which player.

Taylor Gold Label Series 710e DreadnoughtWhat Makes a Guitar Part of the Gold Label Series?

Every Gold Label model starts from the same structural decisions. A solid Sitka spruce top gives the line a stiff, responsive foundation that works whether the back and sides underneath it are mahogany or rosewood. Taylor's fanned V-Class bracing with a Tonal Rout sits under that top on all five guitars — it's the reason none of them turn boomy under a hard strum. Standard X-bracing lets a guitar's low end spread out and blur together at volume; V-Class keeps the soundboard's motion more controlled, so sustain holds and individual notes stay separated even when you're digging in.

Appointments carry through the line, too: cream crest inlays on the fingerboard, cream and black rosettes, and either West African ebony or Honduran rosewood on the fingerboard, headstock veneer, and truss rod cover depending on the model. Every Gold Label guitar ships in a Taylor Deluxe Hard Shell Case — not an afterthought case, but the same protection Taylor puts behind its higher-tier instruments.

What Are the Specs Across the Gold Label Line?

ModelBody ShapeBack & SidesElectronicsMAP Price
Trey Hensley Gold Label 510eDeep Body DreadnoughtNeo-tropical MahoganyL.R. Baggs Anthem SL$2,999
Ben Harper Gold Label 512e SEGrand Concert (Deep Body)Neo-tropical MahoganyTaylor Claria$2,999
Gold Label 514e SBSuper AuditoriumNeo-tropical MahoganyL.R. Baggs Element VTC$2,799
Gold Label 710eDeep Body DreadnoughtIndian RosewoodL.R. Baggs Element VTC$2,999
Gold Label 717e SBGrand Pacific (Deep Body)Indian RosewoodL.R. Baggs Element VTC$2,999

Browse the full lineup in the Taylor Gold Label collection, or see where it fits inside the rest of the brand in the Taylor Guitars collection.

How Do the Mahogany Models Sound and Feel?

The 510e, 512e SE, and 514e SB all pair mahogany's dry, focused low end with the deep-body construction Taylor uses across the Gold Label line. Mahogany doesn't have rosewood's overtone complexity, and that's the point — it produces a rounded low-mid response without muddiness, so the guitar sits forward in a mix instead of getting buried under a band. The Trey Hensley Gold Label 510e puts that voice in a Deep Body Dreadnought built for flatpicking headroom, with an L.R. Baggs Anthem SL system that handles the stage-volume demands of Hensley's own bluegrass work. The Ben Harper Gold Label 512e SE shrinks that same mahogany voice into Taylor's Grand Concert body — the smallest, most intimate shape in the series — and swaps in Taylor's own Claria pickup system. The 514e SB sits between the two in size, using a Super Auditorium body that adds projection over a standard Grand Auditorium without stepping all the way up to dreadnought volume.

How Do the Rosewood Models Compare?

The 710e and 717e SB break from the rest of the Gold Label series by pairing that same Sitka spruce top with solid Indian rosewood back and sides instead of mahogany. Rosewood trades mahogany's dry punch for a wider overtone spread — more shimmer on top, more complexity in the low end — which is why players who want a fuller, more three-dimensional voice tend to land here instead of on the mahogany models. The Gold Label 710e puts that rosewood voice in a Deep Body Dreadnought with a Natural finish and a Firestripe pickguard, built for players who want dreadnought volume with extra tonal color. The Gold Label 717e SB uses Taylor's Grand Pacific body instead — a rounder-shouldered, deep-bodied shape designed to sit closer to a vintage dreadnought than Taylor's standard Grand Auditorium — giving it extra warmth alongside the rosewood's added shimmer.

Why Consider an Artist Signature Model Instead of a Standard Gold Label?

Two guitars in the Taylor Gold Label series were built directly with a working musician rather than designed in-house and named afterward:

  • Trey Hensley Gold Label 510e — Hensley is a bluegrass flatpicker who needed a guitar that could dig into rhythm and cut through a full band on stage. The Anthem SL system and Deep Body Dreadnought shape reflect that: built for volume and articulate leads first.
  • Ben Harper Gold Label 512e SE — Harper's build goes the opposite direction: a smaller Grand Concert body, a Shaded Edge Burst top unique to this model, and Taylor's Claria electronics, aimed at a player who spends more time playing solo or in the studio than on a bluegrass stage.

Neither signature model changes the core Gold Label formula of Sitka spruce over V-Class bracing — the artist's involvement shows up in body size, electronics choice, and finish, not in a different tonal foundation.

How Do You Choose Between the Five Gold Label Models?

Start with tonewood family, not body size. If you want a drier, punchier voice that sits forward without muddying up, the mahogany models — 510e, 512e SE, 514e SB — are the right starting point. If you want more overtone complexity and a fuller low end, look at the rosewood 710e or 717e SB instead. From there, body size answers the second question: Grand Concert (512e SE) for the smallest, most intimate feel, Super Auditorium (514e SB) for a middle ground, and Deep Body Dreadnought or Grand Pacific (510e, 710e, 717e SB) for players who want maximum volume and low-end reserve. Every Taylor Gold Label model ships with the Dread-Not Guarantee and our 23-Point Professional Setup, so the guitar arrives ready to play regardless of which model you land on.

D'Addario Humidipak Two-Way Humidification System

Already part of the Dread-Not Guarantee: every Gold Label model above ships with a D'Addario Humidipak Two-Way Humidification System installed as part of our $1,000+ instrument program — it holds the case at 45–50% relative humidity automatically, no monitoring required.

If you're deciding between models in the Taylor Gold Label series, our team has played every one of them and can talk through which body shape and tonewood pairing fits how you actually play. Visit the Taylor Gold Label collection to see current availability, or read more about Taylor's broader lineup at taylorguitars.com.

The Acoustic Shoppe is an Authorized Taylor Premier Dealer and Gold Label Advantage Dealer.

Acoustic Shoppe FAQ

What's the difference between the mahogany and rosewood Gold Label models?
Mahogany (510e, 512e SE, 514e SB) produces a drier, more focused low end with less overtone complexity, so the guitar sits forward in a mix. Rosewood (710e, 717e SB) produces a wider overtone spread and more shimmer, with a fuller, more three-dimensional low end.
Are the Trey Hensley and Ben Harper models different from the rest of the Gold Label series structurally?
No. Both artist models use the same solid Sitka spruce top and fanned V-Class bracing with a Tonal Rout as the rest of the line. The differences are body size, electronics, and finish — not the tonal foundation.
What pickup system comes on each Gold Label model?
The 510e uses an L.R. Baggs Anthem SL. The 512e SE uses Taylor's own Claria system. The 514e SB, 710e, and 717e SB all use an L.R. Baggs Element VTC.
Does every Gold Label guitar come with a case?
Yes. Every model in the Taylor Gold Label series ships with a Taylor Deluxe Hard Shell Case.

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